
ASK MORE QUESTIONS 50 x 90 cm
Print and painting on canvas

LADY 45 x 61 cm Oil on canvas

DO NOTHING 150 x 100 cm Mixed on canvas

FIGHTER 50 x 70 cm Acrylic on canvas

IT’S NOT WHO YOU ARE... 100 x 70 cm Mixed on canvas

YOU LOOK LIKE MY NEXT MISTAKE 76.5 x 55 cm; 80 x 40 cm Acrylic on canvas

BOUQUET 2014 100 x 70 cm C-Print on lambda imager printed on super glossy paper

You’re dead serious.../Why so serious 100 x 70 cm
Mixed on plywood

SURVIVAL SECRET 1/ MASA 116 x 80 cm Oil on canvas

HOKUS POKUS 100 x 70 cm Oil on canvas

FOCUS 1 120 x 80 cm Mixed technique on canvas

FOCUS 2 120 x 80 cm Mixed technique on canvas

NEW BORN 120 x 80 cm Acrylic on canvas

Nr 1 100 x 70 cm Acrylic on canvas

3/4 60 x 90 cm Mixed technique on canvas

KOSMOS 1 73 x 92 cm Oil on canvas

KOSMOS 2 73 x 92 cm Oil on canvas

BASEBALL 100 x 70 cm Mixed technique on canvas

I WILL NEVER BE LIKE YOU 69 x 59 cm Acrylic on canvas

HUNTERIN 100 x 70 cm Acrylic on canvas

TEAM 81 x 119 cm Mixed on plywood

NO FACE 150 x 100 cm Oil on canvas

PLOT / FAMILY 100 x 80 cm Acrylic on canvas

CHARACTER / GREEN LADY 100 x 80 cm Acrylic on canvas

MONKEY 106 x 76 cm Mixed on plywood

07 120 x 80 cm Mixed

UNTITLED 2016 100 x 70 cm Printing and painting on canvas

OH DEER

VESPA
LECH BATOR
(Born in 1986)
Lech Bator is a Polish contemporary visual artist, who seduces us with his graphics, collages and paintings. Despite his young age, he has his own distinctive, expressive and recognisable style. He represents modern Deer Art style. Bator graduated from Warsaw’s European Academy of Art in 2010 with a degree in graphic design. During his studies at the European Academy of Arts, he had the opportunity to develop and improve his skills under the guidance of outstanding Polish artists, including Franciszek Starowieyski and Antoni Fałat.
Originally fascinated by traditional graphic forms, he turned his attention to paints and canvas. But he still describes himself as a “graphic artist who paints”. In Poland, the popular practice of hanging painting featuring a stag is often derided as the epitome of bad taste in art. Playing with this convention, Bator has made the animal something of a trademark in his work, in which it appears as a distinctive, often puzzling symbol. According to the artist, the stag is a motive “so anonymous that everybody can see whatever they want in it”.