ASK MORE QUESTIONS 50 x 90 cm
Print and painting on canvas
LADY 45 x 61 cm Oil on canvas
DO NOTHING 150 x 100 cm Mixed on canvas
FIGHTER 50 x 70 cm Acrylic on canvas
IT’S NOT WHO YOU ARE... 100 x 70 cm Mixed on canvas
YOU LOOK LIKE MY NEXT MISTAKE 76.5 x 55 cm; 80 x 40 cm Acrylic on canvas
BOUQUET 2014 100 x 70 cm C-Print on lambda imager printed on super glossy paper
You’re dead serious.../Why so serious 100 x 70 cm
Mixed on plywood
SURVIVAL SECRET 1/ MASA 116 x 80 cm Oil on canvas
HOKUS POKUS 100 x 70 cm Oil on canvas
FOCUS 1 120 x 80 cm Mixed technique on canvas
FOCUS 2 120 x 80 cm Mixed technique on canvas
NEW BORN 120 x 80 cm Acrylic on canvas
Nr 1 100 x 70 cm Acrylic on canvas
3/4 60 x 90 cm Mixed technique on canvas
KOSMOS 1 73 x 92 cm Oil on canvas
KOSMOS 2 73 x 92 cm Oil on canvas
BASEBALL 100 x 70 cm Mixed technique on canvas
I WILL NEVER BE LIKE YOU 69 x 59 cm Acrylic on canvas
HUNTERIN 100 x 70 cm Acrylic on canvas
TEAM 81 x 119 cm Mixed on plywood
NO FACE 150 x 100 cm Oil on canvas
PLOT / FAMILY 100 x 80 cm Acrylic on canvas
CHARACTER / GREEN LADY 100 x 80 cm Acrylic on canvas
MONKEY 106 x 76 cm Mixed on plywood
07 120 x 80 cm Mixed
UNTITLED 2016 100 x 70 cm Printing and painting on canvas
OH DEER
VESPA
LECH BATOR
(Born in 1986)
Lech Bator is a Polish contemporary visual artist, who seduces us with his graphics, collages and paintings. Despite his young age, he has his own distinctive, expressive and recognisable style. He represents modern Deer Art style. Bator graduated from Warsaw’s European Academy of Art in 2010 with a degree in graphic design. During his studies at the European Academy of Arts, he had the opportunity to develop and improve his skills under the guidance of outstanding Polish artists, including Franciszek Starowieyski and Antoni Fałat.
Originally fascinated by traditional graphic forms, he turned his attention to paints and canvas. But he still describes himself as a “graphic artist who paints”. In Poland, the popular practice of hanging painting featuring a stag is often derided as the epitome of bad taste in art. Playing with this convention, Bator has made the animal something of a trademark in his work, in which it appears as a distinctive, often puzzling symbol. According to the artist, the stag is a motive “so anonymous that everybody can see whatever they want in it”.